Portfolio 彙整

2026-09-10 In

BABY GAP | Far East Garden City Dome

DESIGN × CONSTRUCTION

Starting with the brand and taking the user as the standard, the concept is fully implemented in the space through design and construction.

We designed more than just a store; we designed a place where brands and people truly meet.

FAR EASTERN GARDEN CITY

Experience space from a child's perspective, and establish order from a brand's perspective.

A children's clothing space needs to accommodate more than just merchandise. Therefore, we start from...See, enter, explore, stay"Let's start by rethinking the spatial experience of BABY GAP."

ENTRANCE
— An Open Invitation

Let the entrance not be a boundary, but an invitation.

In response to the open layout of the shopping mall, we deliberately minimized the traditional interior and exterior lines of the store, using large openings and transparent lines to allow customers to naturally see the merchandise and space inside the store as they pass by.

BABY GAP's classic blue logo is placed on a pure white background, paired with a suspended sign that is recognizable from different angles, ensuring the brand remains clearly visible in the mall's rich visual environment.

CIRCULATION
— Designed for Two Perspectives

A single flow of movement that simultaneously responds to the perspectives of both adults and children.

Shopping with children is never a solitary activity.

Therefore, in terms of spatial planning, we retain a clear and open main circulation route, and establish a natural walking path through the central display and surrounding exhibits to reduce too many turns and visual obstructions.

For parents, it allows them to quickly grasp the product sections and their children's locations; for children, the smaller scale of the displays and open view make the space feel less distant and more free to explore.

DISPLAY
— Order Within Abundance

Establish visible order amidst an abundance of goods.

The challenge of children's clothing retail lies in the small size of the products, the variety of colors, and the high density of items.

We reorganized the merchandise's spatial hierarchy by utilizing the varying heights of the central circular display stand, low cabinets, wall system, and mannequins; creating a visual rhythm through different heights and allowing the eye to extend from the foreground into the store.

MATERIAL
— A Softer Expression of the Brand

Let childlike fun reside in the details, rather than piling on decorations.

Instead of defining "children's space" with lots of bright colors, we chose a more restrained approach.

White forms a clean and bright spatial base, while light wood flooring and display cabinets bring warmth; brand blue serves as a visual identifier and is interspersed throughout, along with wall illustrations, wooden shapes, and detailed images, leaving room for children's imagination.

VISUAL IDENTITY
— Making the Brand Visible

Make brand identity an integral part of the space.

From the illuminated logo at the entrance and the suspended brand signage to the large digital images, we have distributed BABY GAP's brand identity at different eye levels and viewing distances.

Visual nodes of different scales work together to create a viewing path from the outside in, making brand identity not just a mark attached to the space, but a true part of the spatial composition.

2026-06-01 In

247 Gym - Jiang Zicui Branch

ENTRANCE — Ritual of Arrival

Making entering the space itself a ritual.

The neon brand logo and vertical lights at the entrance are a deliberately designed "entrance ritual." As users descend the stairs from the street, the changing layers of light allow them to detach from external noise and enter a mental state specific to training. This light is the space's first instruction to its users—focus.

CIRCULATION — Designing for 24 Hours

The design of the circulation pattern responds to the 24-hour usage rhythm.

A gym at 2 a.m. and one at 6 p.m. are completely different scenarios. Yellow floor lines cut out the main circulation routes from the ground, establishing a sign-free guidance system—allowing trainees at different times and for different purposes, whether it's HYROX training, pure weight training, cardio, or functional training, to intuitively find their place the moment they enter. The circulation itself is the quietest language of the space.

EQUIPMENT — Layout as Narrative

The arrangement of equipment itself is a form of guidance.

The two top-of-the-line equipment sets, Life Fitness and Hammer Strength, are arranged symmetrically along a central axis, creating a clear visual corridor and training rhythm. This arrangement is not merely spatial planning, but a narrative—allowing users to visually experience order, depth, and professionalism, rather than simply "filling the space with equipment." The placement of the equipment itself speaks to the training philosophy of this space.

MATERIAL — Speaking the Language of Discipline

Using the language of materials to convey an atmosphere of self-discipline

The dark gray industrial-style ceiling, the cyan brand wall running throughout, and the durable flooring—this material system conveys a clear message: this is an honest, focused, and unpretentious training space. There are no superfluous decorations, no distracting elements. When the space itself is disciplined, those who use it will naturally enter a focused state. This is the quietest way to "support self-discipline."

EXTENSION — From Training to Recovery

Continuing the user's training experience until the very last moment.

The narrative of spatial design doesn't end the moment the user puts down the dumbbells. The shower area uses exposed gray tiles, transitioning from the industrial, dark tones of the training area to the bright, clean, and quiet recovery space—this material shift completes a full spatial narrative. A good space serves every state of the user, including the time after training.

2026-06-01 In

Brompton

Every knight has his own coordinates, and every journey needs a clear direction.

When planning the Brompton Taipei flagship store, we broke away from the traditional thinking of bicycle display spaces and started from the mathematical concept of "quadrant" to transform the brand spirit into a story-telling spatial language.

The four quadrants in the planar coordinate system each represent different directions and positions; just like every Brompton rider, whether it is daily commuting, city exploration, long-distance travel or riding challenges, they all have a unique life trajectory and riding style.

Therefore, we redefined the space into four core quadrants: product display, brand experience, professional services, and community interaction. Through circulation planning and spatial narrative, we guide users to gradually understand the lifestyle and brand culture that Brompton represents.

This is not just a bicycle shop, but also a brand experience space. It allows everyone who enters the space to find their own identity, direction, and riding story.

Through spatial design, we have translated Brompton's more than 50 years of brand spirit into a physical experience with distinctiveness and memorability, creating the first exclusive brand space for Brompton Flagship Store in Taiwan.

2025-12-03 In

Jipin Health

Inheriting the warmth of the land, outlining the beauty of Taiwan’s humanities.

True health preservation is not only about the balance of body and mind, but also about the symbiosis and prosperity with the precious island of Taiwan.

This time, for the decoration design of Jipin Health Care, BStudio focused on local culture and spatial aesthetics. Through materials, colors and spatial layout, it created a unique atmosphere that echoes the local customs of Taiwan. With local and local as the main axis, it created a health care space that combines cultural heritage and modern elegance.

The design is inspired by the contour map of Taiwan's imagery, outlining Taiwan's diverse landforms and rich products, and embellished with special exhibits from different times and places, so that customers can experience the food culture and life aesthetics of different seasons every time they visit.

This is not only a sales space, but also a place that carries Taiwanese culture and craftsmanship. At Jipin Health, every detail tells the story of Taiwan.

2025-12-03 In

Garena

"Infinity" symbolizes boundless creativity, limitless potential, and the extension of future possibilities.

It also represents relentless innovation, continuous exploration, and an enduring connection with players.

I. Spatial Planning and Circulation: Interpreting "Infinite Flow"

The circular circulation path connects the main functional areas
Borderless workspace

II. Design Elements and Aesthetics: Incorporating "Infinite Loops"

Shape and Structure
Material and color

III. Functional Zoning: Embodying "Unlimited Experience"

Creative Incubation Zone (Unlimited Creativity)
Esports Experience Center (Unlimited Arena)
Leisure charging station (unlimited energy)

IV. Technology and Interaction: Creating "Infinite Connections"

Intelligent office system: Book meeting rooms and control lighting and environment via APP to achieve "unlimited freedom" in work mode.
Interactive walls: Set up large touch screens or projection walls to display company data, game hotspots, and employee creative submissions in real time, creating "infinite interaction" between the space and people.
Immersive Experience Room: Utilizing VR/AR technology, this room creates a space where you can experience future gaming concepts, making the "infinite" future within reach.

"CONNECT" is not just a concept for an office, but also a spatial language.

In the Taipei office of Hsin Hua Technology, technology is no longer just a cold tool, but an extension of life;

Space is no longer just a workplace, but a connecting network where innovation and humanity intertwine.

2025-12-03 In

Xinhua Technology

"Connect" symbolizes the essence of Shin-Hua Technology—connecting the world through technology.

Inspired by this, the design transforms "connection" from microscopic circuits and signals into a macroscopic spatial language.

Through the flow and intersection between technology and people, work and life, function and emotion,

To create a modern, technologically advanced office space that combines rational order with human warmth.

I. Technology connects life

Using the "connection, transmission, and bridging" functions of the XinHua chip as a metaphor, the spatial circulation design allows people to communicate naturally with each other and with the environment.
The concept of "connection" is embodied in the fusion of light, materials, and technological language—using elements such as transparent glass, metal, and smart lighting to create a technologically rational yet warm spatial atmosphere.

II. Space Connects Workflow

The spatial planning is based on the theme of "flowing interfaces," connecting different functional areas with open corridors, glass partitions, and visual axes of planting.

Strengthen the visual and psychological connections in cross-departmental collaboration.

Public areas such as the reception hall, exhibition area, exchange area and meeting room form open and shared nodes, symbolizing the "central hub" of creativity and information exchange.
Private areas such as R&D laboratories, server rooms, and administrative offices are defined by structural walls and acoustic design to maintain focus and security.

"CONNECT" is not just a concept for an office, but also a spatial language.

In the Taipei office of Hsin Hua Technology, technology is no longer just a cold tool, but an extension of life;

Space is no longer just a workplace, but a connecting network where innovation and humanity intertwine.

2025-11-12 In

Universal Music

Bstudio's design concept centers on "Music Plaza," integrating music, culture, and the rhythm of the city into the space. The overall design is not just an office space, but a shared stage for communication, creation, and shared inspiration.

The space is themed around "local culture × international image," extending into an open atmosphere reminiscent of street music performances, symbolizing the cohesiveness and creativity brought by music. The design utilizes green building materials, low-carbon systems, and intelligent controls to practice ESG sustainability, and uses natural light, greenery, and health-oriented features to create a comfortable and creative work environment.

The overall design emphasizes the interaction between people and space, transforming the company's brand spirit into a perceptible spatial language, allowing every musician to "exhibit, converse, interact, get to know each other, and encounter beauty" here.

2025-11-07 In

Pacific Medical Materials

Bstudio uses "ExperimentWith "" as its core concept, the design views the office space as an extended experimental field for corporate culture. Starting from the integrated nature of the company's R&D and manufacturing, the design team constructed a space that combines...Innovation, Interaction and SustainabilityA new look for the office. The space is not just a workplace, but also an experimental platform for continuous validation, evolution, and inspiration.

The overall design is developed in five core directions:

Experiment & Innovation, Interaction & Collaboration, Eco-friendly & Sustainable, Health & Well-being, Education & Learning

Employing prefabricated construction methods and green building materials, coupled with LED lighting, intelligent air conditioning, and solar energy systems, energy conservation and carbon reduction are achieved. Rainwater harvesting and green wall design enhance environmental quality and implement green building concepts.

2025-10-07 In

247 Gym - Taipei Arena

In the fast-paced city, the gym is not just a place to sweat, but also a time for people to talk to themselves.

by "kinetic energy" and Focus As the core concept, the brand spirit is integrated into the space, so that every time you step in, you can feel the accumulation of power and the extension of will.

We through Light, shadow, materials and movement The interweaving of these elements creates a sports field that combines professionalism and emotion. Here, design is not just a backdrop, but a force that helps people focus, break through, and move forward.

2025-10-07 In

Youhuitong Office

Working in the garden, allowing work to coexist with nature

Being busy at work and staying in a closed office environment for a long time often makes people feel stressed and exhausted physically and mentally. It’s time to take a breath.

The design is inspired by a "garden," hoping to incorporate natural elements into the office space, so that the workplace is no longer just a cold office, but a green environment where one can relax and take a breath.

Through large areas of green planting, the introduction of natural light, and the use of natural-looking materials, we hope to create a relaxing atmosphere like being outdoors.

The office space isn't just a place for productivity; it's also a place where people can relax and unwind, sparking creativity. We believe that when the office becomes an "urban oasis," it can enhance employees' focus and creativity, truly realizing the beautiful vision of "working in a garden."